The Moving Finger
4,4
A rare beatnik artifact of the early 1960s, one of only a few such films made before the hippies took over Hollywood. Low budget and in b&w, it's set in Greenwich Village, with what seems like a mostly improvised script. It begins as a late film noir crime tale involving a bank robbery where only one of a group of thieves escapes with his life, as well as $90,000 in loot. Injured and on the run, he hides in a local tour bus and is soon taken in by a group of bohemians who shoot him full of morphine to ease his pain and let him sleep it off on a mattress. Mason is the head beatnik. There's also the owner of both an upstairs coffeehouse and garret, where these beatniks hang out. They, in turn, bring the tourist trade in. Although the robbery is supposed to be the main focus of the plot, it quickly turns into more of a character study featuring these rebellious bon vivants and their odd lifestyle...
Ta note
Ta critique
Casting
13 personnes
Lionel Stander
Anatole
Rôles phares
Cul-de-sac
Il était une fois dans l'Ouest
Barry Newman
Mason
Rôles phares
Point limite zéro
Daylight
Carlo Fiore
Larry Moyer
Moondog
Self
Aussi dans
Chappaqua
Teddy Vann
Zelda R. Suplee
Aussi dans
Diary of a Nudist
The Parisienne and the Prudes
Max Glenn
Otto Mjaanes
Huntington
Aucun autre rôle répertorié
Art Smith
Doctor
Rôles phares
Le violent
Lettre d'une inconnue
Alan Ansara
Jimmy
Shel Silverstein
Party Attendee
Aussi dans
Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?
Larry Moyer Réalisation · Carlo Fiore Écriture Shel Silverstein Musique
Sortie (États-Unis) 1 décembre 1963 · Pays de production États-Unis
Production
Moyer Productions
Production
États-Unis
Pays de production
Langues
Langue originale
Anglais
Parlées à l'écran
Anglais
Dates de sortie
États-Unis · 1 décembre 1963
Cinéma
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