“Fluxfilm No. 14”
Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.
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Part of Fluxfilms
36 films
Regardez moi cela suffit
Movie · 1962
La traversée du port de Nice à la nage
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Sun in Your Head
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Zen for Film
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Sears Catalogue 1-3
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Dots 1 & 2
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Wrist Trick
Movie · 1965
Police Car
Movie · 1966
1000 Frames
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Dance
Movie · 1966
10 Feet
Movie · 1966
Word Movie
Movie · 1966
Artype
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Invocations of Canyons and Boulders (for Stan Brakhage)
Movie · 1966
Trace No. 22
Movie · 1966
Readymade
Movie · 1966
Je ne vois rien, je n'entends rien, je ne dis rien
Movie · 1966
Trace No. 24
Movie · 1966
Opus 74, Version 2
Movie · 1966
Trace No. 23
Movie · 1966
Fluxfilm No. 21
Movie · 1966
The Evil Faerie
Movie · 1966
5 O'Clock in the Morning
Movie · 1966
No. 4
Movie · 1966
Smoking
Movie · 1966
Disappearing Music for Face
Movie · 1966
Blink
Movie · 1966
Eyeblink
Movie · 1966
End After 9
Movie · 1966
9 Minutes
Movie · 1966
One
Movie · 1966
Shout
Movie · 1966
Entrance to Exit
Movie · 1966
Faire un effort
Movie · 1969
Fluxfilm No. 36
Movie · 1970
Fluxfilm No. 37
Movie · 1970
Yoko Ono Director · Peter Moore Cinematographer
United States release March 10, 1966 · Produced in United Kingdom
Production
United Kingdom
Produced in
Languages
Original language
English
Spoken on screen
No dialogue
Release dates
United States · March 10, 1966
Premiere · Ann Arbor Film Festival
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