The film begins at night, as parishioners holding lanterns form a series of processions, travelling through the night from Rome, and villages in the Abruzzi and Lazio regions, to make it to the Santuario della Madonna del Divino Amore, 10 miles from the capital, by morning. More than an anthropological study of ecstatic devotion – with its genuflecting disciples, and women who scream desperately at the sky – Divino Amore also speaks to Mangini’s interest in disappearing rituals and communities at risk of extinction. When generations of worshippers pour out of the church at the end of the service, formality dissolves into secular leisure, as families perched on horse carts eat plates of spaghetti and men fall asleep on the grass. The velvet-clad austerity of the church’s interior gives way to a series of pastoral tableaux.
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Cecilia Mangini Director · Egisto Macchi Composer Giuseppe De Mitri Cinematographer
First release February 1, 1961 · Produced in Italy · Original title Divino Amore
Production
Documento Film
Production
Italy
Produced in
Languages
Original title
Divino Amore
Original language
Italian
Spoken on screen
No dialogue
Release dates
Italy · February 1, 1961
Theatrical
No release date listed for United States.
United Kingdom
March 12, 2021 · Digital · Another Screen
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