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In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.

Claudia Shear's off-Broadway, one-woman show weaves her true misadventures through 64 different jobs and searches for an identity beyond mere job description.

Paul Fierlinger concentrates his considerable talents as an animator to recount through fragmented memories, vivid recollections, and the occasional evocative photograph his life as the rebellious son of Jan Fierlinger, Czechoslovakian career politician.

The Beans are poor, proud, hated by all, but alive in the sense that they struggle against their lot and support each other in time of trouble. Earlene lives across the street from the Bean's trailer, and the view from her window is better than any daytime television soap opera; especially Beal Bean, and especially Beal Bean shirtless. When Reuben Bean is sent to prison for resisting arrest for out-of-season deer hunting, Beal takes up with Reuben's woman Roberta. He also has a child by Earlene, with a triangle of sex complicated by poverty.

In 19th-century Italy, Giorgio, a young soldier, is in love with Clara. But they're separated when Giorgio is posted far away, where he meets the unhappy, unhealthy, and unattractive Fosca, who develops a passionate love for Giorgio and tries to make him love her.