Santo and Jesus, Metalworkers
From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.
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Cláudio Kahns Dirección · Antonio Paulo Ferraz Dirección Pedro Farkas Fotografía
Primer estreno 2 de abril de 1983 · Producida en Brasil · Producción Tatu Filmes
Producción
Antonio Paulo Ferraz Produções Cinematográficas
Producción
Tatu Filmes
Producción
Brasil
Producida en
Idiomas
Título original
Santo e Jesus, Metalúrgicos
Idioma original
Portugués
Hablados en pantalla
Portugués
Fechas de estreno
Brasil · 2 de abril de 1983
Estreno
No hay fecha de estreno registrada en Estados Unidos.
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