Santo and Jesus, Metalworkers
7,3
From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.
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Casting
3 personnes
Cláudio Kahns Réalisation · Antonio Paulo Ferraz Réalisation Pedro Farkas Photographie
Première sortie 2 avril 1983 · Pays de production Brésil · Production Tatu Filmes
Production
Antonio Paulo Ferraz Produções Cinematográficas
Production
Tatu Filmes
Production
Brésil
Pays de production
Langues
Titre original
Santo e Jesus, Metalúrgicos
Langue originale
Portugais
Parlées à l'écran
Portugais
Dates de sortie
Brésil · 2 avril 1983
Première
Aucune date de sortie indiquée pour ta région (États-Unis).
Signé Cláudio Kahns
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