Winter Love
6,6
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.
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Casting
22 personnes
Patrick Tse Yin
Chim Kei
Rôles phares
Shaolin Soccer
Rouge
Wong Oi-Ming
Annie Wong
Aussi dans
Back Door
Deep in Love
Chor Yuen
Rôles phares
Police Story
Thunderbolt : Pilote de l'extrême
Man Lai
John Yip
Aussi dans
Sex for Sale
Sex, Love and Hate
Josephine Siao
Mimi Wong
Rôles phares
La Légende de Fong Sai-Yuk
Sze-Ma Wah-lung
Wong Shui-hung
Rôles phares
La Légende de l'aigle chasseur de héros
The Blade
Wai-Lin On
Lai Man
Annie's mother
Aussi dans
Fist of Unicorn
The Dragon Missile
Tsui Siu-Ming
Chim Kei in his childhood
Rôles phares
Sakra, la légende des demi-dieux
Patrick Lung Kong
Chan Hung-kit
Rôles phares
Black mask
Il était une fois en Chine VI : Dr Wong en Amérique
Lee Wan-Chung
Peter Chan
Rôles phares
L'Hirondelle d'or
Chor Yuen Réalisation · Ning Tam Scénario Yee Tat (John Yip) Histoire
Première sortie 3 décembre 1968 · Titre original 冬戀
Production
Tse Brothers Motion Picture Company
Production
Langues
Titre original
冬戀
Langue originale
Cantonais
Parlées à l'écran
Cantonais
Dates de sortie
R.A.S. chinoise de Hong Kong · 3 décembre 1968
Cinéma · ilm criticism: In my opinion, Chor Yuen is better at evoking feelings than expounding on thoughts or issues, and more competent at handling simple small subjects than complex large themes. Take 'Winter Love' as an example. Although it is just a light romantic interlude, Chor Yuen makes an unconventional variation on a popular, melodramatic theme through clean-cut scene breaks and sophisticated treatment, creating a certain unique flavour that is light years away from the straightforward narrative of his socio-familial melodramatic tragedies. Perhaps the film appears refreshing because both the scriptwriting (including the use of flashback, frequent give-and-take among characters, a preference for stillness over movement) and cinematography (black and white, location shooting) are quite extraordinary by current Chinese film standards. (Law Kar: 'Spring Comes to Chor Yuen', 'Chinese Student Weekly', Vol 867, 28 February 1969)
Aucune date de sortie indiquée pour ta région (États-Unis).
R.A.S. chinoise de Hong Kong
9 avril 2004 · Sortie limitée · Hong Kong International Film Festival
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