Winter Love
6,6
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.
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Sua nota
Sua resenha
Elenco
22 pessoas
Patrick Tse Yin
Chim Kei
Destaque em
Kung Fu Futebol Clube
Rouge
Wong Oi-Ming
Annie Wong
Também em
Back Door
Deep in Love
Chor Yuen
Destaque em
Police Story: A Guerra das Drogas
Thunderbolt: Ação Sobre Rodas
Man Lai
John Yip
Também em
Sex for Sale
Sex, Love and Hate
Josephine Siao
Mimi Wong
Destaque em
A Saga de um Herói
Sze-Ma Wah-lung
Wong Shui-hung
Destaque em
The Eagle Shooting Heroes
The Blade: A Lenda
Wai-Lin On
Lai Man
Annie's mother
Também em
Fist of Unicorn
O Míssil do Dragão
Tsui Siu-Ming
Chim Kei in his childhood
Destaque em
O Guerreiro Banido
Patrick Lung Kong
Chan Hung-kit
Destaque em
Máscara Negra
Era Uma Vez na China e na América
Lee Wan-Chung
Peter Chan
Destaque em
O Grande Mestre Beberrão
Chor Yuen Direção · Ning Tam Roteiro Yee Tat (John Yip) Argumento
Primeiro lançamento 3 de dezembro de 1968 · Título original 冬戀
Produção
Tse Brothers Motion Picture Company
Produção
Idiomas
Título original
冬戀
Idioma original
Cantonês
Falados na tela
Cantonês
Datas de lançamento
Hong Kong, RAE da China · 3 de dezembro de 1968
Cinema · ilm criticism: In my opinion, Chor Yuen is better at evoking feelings than expounding on thoughts or issues, and more competent at handling simple small subjects than complex large themes. Take 'Winter Love' as an example. Although it is just a light romantic interlude, Chor Yuen makes an unconventional variation on a popular, melodramatic theme through clean-cut scene breaks and sophisticated treatment, creating a certain unique flavour that is light years away from the straightforward narrative of his socio-familial melodramatic tragedies. Perhaps the film appears refreshing because both the scriptwriting (including the use of flashback, frequent give-and-take among characters, a preference for stillness over movement) and cinematography (black and white, location shooting) are quite extraordinary by current Chinese film standards. (Law Kar: 'Spring Comes to Chor Yuen', 'Chinese Student Weekly', Vol 867, 28 February 1969)
Nenhuma data de lançamento registrada na sua região (Estados Unidos).
Hong Kong, RAE da China
9 de abril de 2004 · Cinema (limitado) · Hong Kong International Film Festival
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