Winter Love
6,6
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.
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Puanın
Yorumun
Oyuncular
22 kişi
Patrick Tse Yin
Chim Kei
Bilinen işleri
Shaolin Futbolu
Rouge
Wong Oi-Ming
Annie Wong
Diğer yapımları
Back Door
Deep in Love
Chor Yuen
Bilinen işleri
Süper Polis
İntikam Yarışı
Man Lai
John Yip
Diğer yapımları
Sex for Sale
Sex, Love and Hate
Josephine Siao
Mimi Wong
Bilinen işleri
Efsane
Sze-Ma Wah-lung
Wong Shui-hung
Bilinen işleri
The Eagle Shooting Heroes
The Blade
Wai-Lin On
Lai Man
Annie's mother
Diğer yapımları
Fist of Unicorn
The Dragon Missile
Tsui Siu-Ming
Chim Kei in his childhood
Bilinen işleri
Sakra
Patrick Lung Kong
Chan Hung-kit
Bilinen işleri
Kara Maske
Once Upon a Time in China and America
Lee Wan-Chung
Peter Chan
Bilinen işleri
Come Drink with Me
Chor Yuen Yönetmen · Ning Tam Senarist Yee Tat (John Yip) Hikâye
İlk çıkış tarihi 3 Aralık 1968 · Orijinal ad 冬戀
Yapım
Tse Brothers Motion Picture Company
Yapım
Diller
Orijinal ad
冬戀
Orijinal dil
Kantonca
Ekranda konuşulan
Kantonca
Çıkış tarihleri
Çin Hong Kong ÖİB · 3 Aralık 1968
Sinema · ilm criticism: In my opinion, Chor Yuen is better at evoking feelings than expounding on thoughts or issues, and more competent at handling simple small subjects than complex large themes. Take 'Winter Love' as an example. Although it is just a light romantic interlude, Chor Yuen makes an unconventional variation on a popular, melodramatic theme through clean-cut scene breaks and sophisticated treatment, creating a certain unique flavour that is light years away from the straightforward narrative of his socio-familial melodramatic tragedies. Perhaps the film appears refreshing because both the scriptwriting (including the use of flashback, frequent give-and-take among characters, a preference for stillness over movement) and cinematography (black and white, location shooting) are quite extraordinary by current Chinese film standards. (Law Kar: 'Spring Comes to Chor Yuen', 'Chinese Student Weekly', Vol 867, 28 February 1969)
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Çin Hong Kong ÖİB
9 Nisan 2004 · Sınırlı gösterim · Hong Kong International Film Festival
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