Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.
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キャスト
22人
Patrick Tse Yin
Chim Kei
代表作
少林サッカー
ルージュ
Wong Oi-Ming
Annie Wong
その他の出演作
Back Door
Deep in Love
Chor Yuen
代表作
ポリス・ストーリー 香港国際警察
デッドヒート
Man Lai
John Yip
その他の出演作
Sex for Sale
Sex, Love and Hate
Josephine Siao
Mimi Wong
代表作
The Legend
Sze-Ma Wah-lung
Wong Shui-hung
代表作
大英雄
The Blade
Wai-Lin On
Lai Man
Annie's mother
その他の出演作
Fist of Unicorn
The Dragon Missile
Tsui Siu-Ming
Chim Kei in his childhood
代表作
シャクラ
Patrick Lung Kong
Chan Hung-kit
代表作
ブラック・マスク
Once Upon a Time in China and America
Lee Wan-Chung
Peter Chan
代表作
大酔侠
Chor Yuen 監督 · Ning Tam シナリオ Yee Tat (John Yip) 原案
初公開 1968年12月3日 · 原題 冬戀
製作
Tse Brothers Motion Picture Company
製作
言語
原題
冬戀
原語
広東語
作中の言語
広東語
公開日
中華人民共和国香港特別行政区 · 1968年12月3日
劇場公開 · ilm criticism: In my opinion, Chor Yuen is better at evoking feelings than expounding on thoughts or issues, and more competent at handling simple small subjects than complex large themes. Take 'Winter Love' as an example. Although it is just a light romantic interlude, Chor Yuen makes an unconventional variation on a popular, melodramatic theme through clean-cut scene breaks and sophisticated treatment, creating a certain unique flavour that is light years away from the straightforward narrative of his socio-familial melodramatic tragedies. Perhaps the film appears refreshing because both the scriptwriting (including the use of flashback, frequent give-and-take among characters, a preference for stillness over movement) and cinematography (black and white, location shooting) are quite extraordinary by current Chinese film standards. (Law Kar: 'Spring Comes to Chor Yuen', 'Chinese Student Weekly', Vol 867, 28 February 1969)
アメリカ合衆国の公開日は登録されていません。
中華人民共和国香港特別行政区
2004年4月9日 · 限定劇場公開 · Hong Kong International Film Festival
『Winter Love』が好きなら
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